Jorge Zalszupin Credenzas

Handsome 1970's Jorge Zalszupin style glossy wood patchwork sideboard with 3 doors, and 6 stacked drawers. In good overall original condition with some...

Vintage Italian sideboard. Great design. Two sliding doors with four drawers (the first one is not origin).

Sun at Six is a contemporary furniture design studio that works with traditional Chinese joinery masters to handcraft our pieces using traditional joinery. We work with traditional C...

Mid-century walnut credenza designed and manufactured in the United States in the 1960s. This exquisite piece boasts a gorgeous walnut frame that is both durable and stylish. On the ...

Jorge Zalszupin (1922 - 2020) A rare and important cabinet with bookcase and drawers by Jorge Zalszupin, in alternating striations of jacaranda and yellow lacquered wood. The compo...

Danish Mid-Century Modern Low Rosewood sideboard, 1960s Beautiful Danish Modern low sideboard in minimalistic style attributed to Danish designer Arne Vodder for Sibast. Front with...

Midcentury teak sideboard from the 1960s. It is a shining example of the form and function synonymous with furniture of this era. Well-built, great design and lightness. Three drawer...

Rare Danish modern rosewood tambour door credenza with center dovetailed drawer section and adjustable shelf on each side.

Sun at Six is a contemporary furniture design studio that works with traditional Chinese joinery masters to handcraft our pieces using traditional joinery. The woodbine sideboard fea...

Spectacular Post Modern, Brutalist school credenza, designed by Paul Evans for Directional c. 1970's. The sideboard features a large rectangular cabinet with patchwork burl veneer, w...

Credenza, solid oak, France, 1940s, after Charles Dudouyt. Large Art Deco Brutalist sideboard. The credenza consists of two storage facilities and covered with very detailed designe...

This gorgeous multi-level shelving system was designed and manufactured by the Brazilian design icon, Jorge Zalszupin and his company, L’Atelier. When it comes to Zalszupin’s line of modular pieces (Modulados Compiníveis), simplicity and clarity are the main characteristics. Similarly to Danish production, treating the wood with special care was a core concept for Zalszupin. The versatile industrial design of these pieces offers a variety of typologies and combinations of modules that can be creatively combined to satisfy every need and interest. The pieces include drawers as well as diverse consoles with doors that feature locks. These modular pieces made by L’Atelier follow the idea of Louis Sullivan: “form follows functions”, which is exemplified by this piece. The modules are made of the Brazilian wood ‘caviuna’ with a beautiful finish in wood-block collage. The six wooden legs support the units in an understated way, leaving the units to be the main visual pieces. The pieces feature “inverted” handles in pairs, that are distinctive of Zalszupin, and contribute to the elegant and modern look of this shelving system. Condition: In good vintage condition. Wear consistent with age and use. Some modules have some small scratches and marks. Dimensions: 98.42 in W x 15.95 in D x 104.33 in H 250 cm W x 40.5 cm D x 265 cm H About the designer: Jorge Zalszupin was born in Warsaw, Poland, in 1922. He graduated as an architect in Romania in 1945. His importance for Brazilian design has been articulated in several publications so far. In addition to being the owner of the l'Atelier furniture factory of modern furniture, Zalszupin led a unique initiative: he coordinated a team of designers working for four different factories in the same business group, the Forsa Group. Zalszupin immigrated to Brazil in 1949 and after a brief stay in the capital, he settled in São Paulo, a city that was then entering a cycle of great industrial growth and great cultural transformations. In the first half of the 1950s, he opened an architecture office, having José Gugliota as a partner. When he got tired of designing exclusive furniture manufactured for his clients' homes, he decided to join a group of woodworkers and started to produce smaller series. This was how l'Atelier came into being, which eventually began to manufacture office furniture and went from a carpentry shop with handcrafted products to an industry with serial production. The first piece in this series was an armchair nicknamed 'Danish' by employees. It was first created in 1959. In the early 1970s, because of serious financial problems, l'Atelier was sold to a business group. The sale was finalized with Zalszupin's 'pass' as director of product research and development. Thus, Zalszupin expanded the team of designers - which already had Oswaldo Mellone - incorporating Paulo Jorge Pedreira and Lílian Weimberg permanently. The designers named the new group Forsa, and started to act as a sort of creative laboratory. The technical possibilities offered by four distinct industrial plants were enhanced by the team of designers. In this way, Hevea, which produced plastic commodities, won a very sophisticated product line in design and established a brand: Eva, for household items, sold in supermarkets. L'Atelier itself started using injected plastic, producing partition panels...